“The Quest for Self: Triumph and Failure in the Works of Toni Morrison.” Black Women Writers (1950-1980): A Critical Evaluation. A Ghetto Takes Shape: Black Cleveland, 1870-1930. “Toponymic Attachment.” The Oxford Handbook of Names and Naming. Jackson: University Press of Mississippi, 1994, 171-87. “An Interview with Toni Morrison.” Conversations with Toni Morrison. “The House That Race Built.” College Literature: A Journal of Critical Literary Studies 47.4: 678-81. “The History of Isaly’s.” Accessed 27 November 2021. Sisters of the Yam: Black Women and Self-Recovery. “The Named and the Nameless: Morrison’s 124 and Naylor’s ‘the Other Place’ as Semiotic Chorae.” African American Review 38.4: 669-81. “‘Hereisthehouse’: Cultural Spaces of Incest in The Bluest Eye.” Incest and the Literary Imagination. New York: Modern Language Association, 118-26. “‘Laundering the Head of Whitewash’: Mimicry and Resistance in The Bluest Eye.” Approaches to Teaching the Novels of Toni Morrison. “Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and The Bluest Eye. Columbus: The Ohio State University Press. African Americans and the Color Line in Ohio, 1915-1930. “Naming Names: Three Recent Novels by Women Writers.” Names 32.1: 33-44. New York: Modern Language Association, 27-33. Approaches to Teaching the Novels of Toni Morrison. “Teaching Controversy: The Bluest Eye in the Multicultural Classroom. “Naming Invisible Authority: Toni Morrison’s Covert Letter to Ralph Ellison.” Studies in American Fiction 25.2: 241-53. “Language-Based Approaches to Names in Literature.” The Oxford Handbook of Names and Naming. “Building Networks: Cooperation and Communication Among African Americans in the Urban Midwest, 1860-1910.” Indiana Magazine of History 99.4: 370-86. “Morrison’s The Bluest Eye.” The Explicator 51.4: 252-55. Jackson: University Press of Mississippi, 1994, 30-42. “The Seams Can’t Show: An Interview with Toni Morrison.” Conversations with Toni Morrison. Toni Morrison and Literary Tradition: The Invention of an Aesthetic. “‘Harry, You Must Stop Living in the Past”: Names as Acts of Recall in John Updike’s Rabbit Angstrom.” Names 68.4: 210-21. “The Fourth Face: The Image of God in Toni Morrison’s The Bluest Eye.” African American Review 32.2: 293-303. ![]() “About: The ALAGA Story.” Accessed August 4, 2021. ![]() In combination, Morrison's application of toponymy and setting casts Lorain as microcosm of the nation and implicates all its citizens in the racist ideology that destroys Pecola and her family. In the narrative present, she deploys them as opening frames for immediate lessons in racial behaviors for the children who are her main characters in the narrative past, he uses them to recall distant locations from adult characters' histories to suggest ways in which racism persists across space and time. A toponymic study reveals how Morrison uses place names as stylistic devices in two ways. Amid this novel set in 1941 during the Great Migration, a place name-based analysis reveals a literary landscape of racism in the mid-20th-century US, from the Jim Crow South to the industrial North. The Bluest Eye, by Toni Morrison, recounts the story of Pecola Breedlove, an eleven-year-old Black girl in Lorain, Ohio, where her wish for blue eyes represents desire for what she is denied, the privileges of her white classmates and the comforts of a safe home.
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